Art and Science in al-Andalus and the Late Medieval Mediterranean Cultures: Almohad, Nasrid and Ayyubid Astrolabes in th
This chapter addresses the cross references, the travel back and forth of ideas, innovations and traditions generated at both sides of the Islamic Mediterranean Sea during the Middle Ages. It approaches the issue from the double perspective of art and sci
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Artistic and Cultural Dialogues in the Late Medieval Mediterranean Edited by María Marcos Cobaleda
Mediterranean Perspectives Series Editors Brian Catlos University of Colorado - Boulder Boulder, CO, USA Sharon Kinoshita University of California Santa Cruz Santa Cruz, CA, USA
As a region whose history of connectivity can be documented over at least two and a half millennia, the Mediterranean has in recent years become the focus of innovative scholarship in a number of disciplines. In shifting focus away from histories of the origins and developments of phenomena predefined by national or religious borders, Mediterranean Studies opens vistas onto histories of contact, circulation and exchange in all their complexity while encouraging the reconceptualization of inter- and intra- disciplinary scholarship, making it one of the most exciting and dynamic fields in the humanities. Mediterranean Perspectives interprets the Mediterranean in the widest sense: the sea and the lands around it, as well as the European, Asian and African hinterlands connected to it by networks of culture, trade, politics, and religion. This series publishes monographs and edited collections that explore these new fields, from the span of Late Antiquity through Early Modernity to the contemporary. More information about this series at http://www.palgrave.com/gp/series/15161
María Marcos Cobaleda Editor
Artistic and Cultural Dialogues in the Late Medieval Mediterranean
Editor María Marcos Cobaleda University of Malaga Malaga, Spain
Mediterranean Perspectives ISBN 978-3-030-53365-6 ISBN 978-3-030-53366-3 (eBook) https://doi.org/10.1007/978-3-030-53366-3 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2021 Chapter 2 is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/). For further details see licence information in the chapter. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for an
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