Art Line Thought
Art Line Thought discusses the main issues that beset our time and philosophy by locating these same issues in artworks and describing closely what is shown there. While respecting their differences, art and philosophy are thus made to cross back and fort
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CONTRIBUTIONS TO PHENOMENOLOGY IN COOPERATION WITH
THE CENTER FOR ADVANCED RESEARCH IN PHENOMENOLOGY Volume 21
Editor: William R. McKenna, Miami University
Editorial Board: David Carr, Emory University Lester Embree, Florida Atlantic University J. Claude Evans, Washington University Jose Huertas-Jourda, Wilfrid Laurier University Joseph J. Kockelmans, The Pennsylvania State University Algis Mickunas, Ohio University J. N. Mohanty, Temple University Thomas M. Seebohm, Johannes Gutenberg-Universitat, Mainz Richard M. Zaner, Vanderbilt University
Scope The purpose of this series is to foster the development of phenomenological philosophy through creative research. Contemporary issues in philosophy, other disciplines and in culture generally, offer opportunities for the application of phenomenological methods that call for creative responses. Although the work of several generations of thinkers has provided phenomenology with many results with which to approach these challenges, a truly successful response to them will require building on this work with new analyses and methodological innovations.
ART LINE THOUGHT by
SAMUEL B. MALLIN York University, Toronto. Canada
KLUWER ACADEMIC PUBLISHERS DORDRECHT / BOSTON / LONDON
A C.I.P. Catalogue record for this book is available from the Library of Congress.
ISBN-J3: 978-94-010-7214-4 DOl: 10.1007/978-94-009-1594-7
e-ISBN-l3: 978-94-009-1594-7
Published by Kluwer Academic Publishers, P.O. Box 17,3300 AA Dordrecht, The Netherlands. Kluwer Academic Publishers incorporates the publishing programmes of D. Reidel, Martinus Nijhoff, Dr W. Junk and MTP Press. Sold and distributed in the U.S.A. and Canada by Kluwer Academic Publishers, 101 Philip Drive, Norwell, MA 02061, U.S.A. In all other countries, sold and distributed by Kluwer Academic Publishers Group, P.O. Box 322, 3300 AH Dordrecht, The Netherlands.
Printed on acid-free paper
All Rights Reserved
© 1996 Kluwer Academic Publishers No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without written permission from the copyright owner.
Dedicated to Becea and Blue
Table of Contents PREFACE . . . . . . .
. . . . . . . . . . . . Xl
PART I: THE PREHISTORIC
BOOK I: SCULPTURAL ARCHAIC THOUGHT.
1
Illustrations .
3
CHAPTER 1: Thinking of the Future Archaically: In the Shape of a Pep los de-lineative hermeneutics . Peploforos' look .. . . . . . the Archaic smile . . . . . . phenomenologically evident traits bound to the chthonic and its goddesses a feminine-chthonic line of existence. . . Euthydikos' severe and self-involved look ethical implications of Peploforos' ethos . .
. 13 . 16 . 21 . 25 . 30 . 35 . 39 . 44
CHAPTER 2: Drawing Out Prehistory: Sculptural Archaic Thought
. 49
Melos' serene activity. . . . . . . . . . Melos' integration of stone and flesh. ethical relevance to "similitudes" Kroisos walks right in the earth . . Y
