Beyond the Golden Door Jewish American Drama and Jewish American Exp
Beyond the Golden Door is the first book devoted to showing how Jewish playwrights of the twentieth century have dramatized the Jewish encounter with America. Questions dealt within this study include - How do you balance old world heritage with new world
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Copyright material from www.palgraveconnect.com - licensed to New York University - Waldmann Dental Library - PalgraveConnect - 2015-07-31
Beyond the Golden Door
Also in the series: Undressed for Success by Brenda Foley Theatre, Performance, and the Historical Avant-garde by Günter Berghaus Theatre, Politics, and Markets in Fin-de-Siècle Paris by Sally Charnow Ghosts of Theatre and Cinema in the Brain by Mark Pizzato Moscow Theatres for Young People by Manon van de Water Absence and Memory in Colonial American Theatre by Odai Johnson Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers by Arthur Frank Wertheim Performance and Femininity in Eighteenth-Century German Women’s Writing by Wendy Arons Operatic China: Staging Chinese Identity across the Pacific by Daphne P. Lei Transatlantic Stage Stars in Vaudeville and Variety: Celebrity Turns by Leigh Woods Interrogating America through Theatre and Performance edited by William W. Demastes and Iris Smith Fischer Plays in American Periodicals, 1890–1918 by Susan Harris Smith Representation and Identity from Versailles to the Present: The Performing Subject by Alan Sikes Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s by Miranda Lundskaer-Nielsen Beyond the Golden Door: Jewish American Drama and Jewish American Experience by Julius Novick
10.1057/9780230611832 - Beyond the Golden Door, Julius Novick
Copyright material from www.palgraveconnect.com - licensed to New York University - Waldmann Dental Library - PalgraveConnect - 2015-07-31
PALGRAVE STUDIES IN THEATRE AND PERFORMANCE HISTORY is a series devoted to the best of theatre/performance scholarship currently available, accessible and free of jargon. It strives to include a wide range of topics, from the more traditional to those performance forms that in recent years have helped broaden the understanding of what theatre as a category might include (from variety forms as diverse as the circus and burlesque to street buskers, stage magic, and musical theatre, among many others). Although historical, critical, or analytical studies are of special interest, more theoretical projects, if not the dominant thrust of a study, but utilized as important underpinning or as a historiographical or analytical method of exploration, are also of interest. Textual studies of drama or other types of less traditional performance texts are also germane to the series if placed in their cultural, historical, social, or political and economic context. There is no geographical focus for this series, works of excellence of a diverse and international nature, including comparative studies, are sought. The editor of the series is Don B. Wilmeth (Emeritus, Brown University), Ph.D., University of Illinois, who brings to the series over a dozen years as editor of a book series on American theatre and drama, in addition to his own extensive experience as an editor of books and journals. He is the author of several award-winning books and has receiv
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