Black Men, Black Feminism Lucifer's Nocturne
A brief commentary on the necessity and the impossibility of black men’s participation in the development of black feminist theory and politics, Black Men, Black Feminism examines the basic assumptions that have guided—and misguided—black men’s efforts to
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Jared Sexton
Black Men, Black Feminism
Protester rests during a November 2014 demonstration in Oakland, California, against the grand jury decision in the case of Officer Darren Wilson. Image reproduced with permission from Reuters Pictures
Jared Sexton
Black Men, Black Feminism Lucifer’s Nocturne
Jared Sexton Department of African American Studies University of California Irvine, CA, USA
ISBN 978-3-319-74125-3 ISBN 978-3-319-74126-0 (eBook) https://doi.org/10.1007/978-3-319-74126-0 Library of Congress Control Number: 2018931893 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: © Andrew Taylor/Flickr Printed on acid-free paper This Palgrave Pivot imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
To DAS, in memoriam, for a love too big to appreciate in one lifetime. To CJD, for putting me on a path before I could see my own way.
Contents
1 Speak of the Devil 1 2 Where Manhood Lies 41 3 Unbearable Blackness 75 Index 107
vii
List of Figures
Fig. 1.1
Fig. 1.2 Fig. 3.1
Fig. 3.2
Stan (Henry Sanders) and his wife (Kaycee Moore) argue with Stan’s friends, Scooter and Smoke, on the front porch in Charles Burnett’s Killer of Sheep (1978). Image reproduced under terms of fair use Chris (Daniel Kaluuya) finds himself chained to an armchair in the basement in Jordan Peele’s Get Out (2017). Image reproduced under terms of fair use Protester rests during a November 2014 demonstration in Oakland, California, against the grand jury decision in the case of Officer Darren Wilson. Image reproduced with permission from Reuters Pictures Dorothy (Barbara O.) holds her daughter, Luann (Susan Williams), in Haile Gerima’s Bus
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