Computational Musicology in Hindustani Music
The book opens with a short introduction to Indian music, in particular classical Hindustani music, followed by a chapter on the role of statistics in computational musicology. The authors then show how to analyze musical structure using Rubato, the music
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Soubhik Chakraborty Guerino Mazzola Swarima Tewari · Moujhuri Patra
Computational Musicology in Hindustani Music
Computational Music Science
Series Editors Guerino Mazzola Moreno Andreatta
More information about this series at http://www.springer.com/series/8349
Soubhik Chakraborty • Guerino Mazzola • Swarima Tewari • Moujhuri Patra
Computational Musicology in Hindustani Music
Soubhik Chakraborty Swarima Tewari Department of Applied Mathematics Birla Institute of Technology (BIT), Mesra Ranchi, Jharkhand India
Guerino Mazzola School of Music University of Minnesota Minneapolis, MN USA
Moujhuri Patra Dept. of Computer Applications Netaji Subhash Engineering Coll (NSEC) Kolkata, West Bengal India
ISSN 1868-0305 ISSN 1868-0313 (electronic) Computational Music Science ISBN 978-3-319-11471-2 ISBN 978-3-319-11472-9 (eBook) DOI 10.1007/978-3-319-11472-9 Springer Cham Heidelberg New York Dordrecht London Library of Congress Control Number: 2014957648 © Springer International Publishing Switzerland 2014 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. While the advice and information in this book are believed to be true and accurate at the date of publication, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omissions that may be made. The publisher makes no warranty, express or implied, with respect to the material contained herein. Printed on acid-free paper Springer is part of Springer Science+Business Media (www.springer.com)
Preface
Computational musicology is the fruit of two factors that were brought to florescence in the twentieth century: modern mathematics and computer technology. The mathematical contribution can be attributed
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