Conclusion: Reimagining Creative Acts Under Austerity
Through engaging with the unemployed figure in a context of austerity, Performing Welfare exposes the persistence of work as an acutely contested site and illuminates how performance interventions in this area might reconstitute notions of work in sociall
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Performing Welfare Applied Theatre, Unemployment, and Economies of Participation Sarah Bartley
Contemporary Performance InterActions Series Editors Elaine Aston Lancaster University Lancaster, Lancashire, UK Brian Singleton Samuel Beckett Centre Trinity College Dublin, Ireland
Theatre’s performative InterActions with the politics of sex, race and class, with questions of social and political justice, form the focus of the Contemporary Performance InterActions series. Performative InterActions are those that aspire to affect, contest or transform. International in scope, CPI publishes monographs and edited collections dedicated to the InterActions of contemporary practitioners, performances and theatres located in any world context. More information about this series at http://www.palgrave.com/gp/series/14918
Sarah Bartley
Performing Welfare Applied Theatre, Unemployment, and Economies of Participation
Sarah Bartley University of Reading Berkshire, UK
Contemporary Performance InterActions ISBN 978-3-030-44853-0 ISBN 978-3-030-44854-7 (eBook) https://doi.org/10.1007/978-3-030-44854-7 © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Tangled Feet, One Million (2013) Promotion Image Cover designed by Jey Malaiperuman This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgements
The caring, creative, and politically charged arts practices that intersect with the welfare state have been a constant source of inspiration throughout the writing of this monograph. I would like to thank Rebecca Adamson, Naomi Alexander, Kate Anderson, Alexander Augustus, Richard Barber, Katherine Chandler, Michael Chandler, Nathan Curry, Anna H
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