Cosmos, Values, and Consciousness in Latin American Digital Culture
This book examines digital cultural production of electronic literatures and digital art by looking at electronic and digital works that produce subjective positionality, clouded knowledges of quantum theories, and metaphysical patterns grounded in a cult
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Cosmos, Values, and Consciousness in Latin American Digital Culture
Angelica J. Huizar
Cosmos, Values, and Consciousness in Latin American Digital Culture
Angelica J. Huizar World Languages & Cultures Department Old Dominion University Norfolk, VA, USA
ISBN 978-3-030-45397-8 ISBN 978-3-030-45398-5 (eBook) https://doi.org/10.1007/978-3-030-45398-5 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Palgrave Pivot imprint is published by the registered company Springer Nature Switzerland AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgments
Part of Chapter 5, the analysis of Fernando Llanos’ work, was originally published in Spanish as “Las poéticas digitales y el crítico social: Escenas de las ‘videointervenciones’ de Fernando Llanos” in Poesía y poéticas digitales/electrónicas/tecnos/New-Media en América Latina: Definiciones y exploraciones (Pontifica Universidad Católica de Chile, 2016), edited by Luis Correa-Díaz and Scott Weintraub, pp. 99–135. This project was the focus of my research during my sabbatical in Fall 2017, I thank the World Languages and Cultures Department and the College of Arts and Letters at Old Dominion University for the research leave to facilitate the first manuscript. To my colleagues and friends who read and heard its many versions, I am indebted for their intellectual exchanges. I am grateful to Kerstin Steitz, whose supportive morale meant the world to me. Lee Slater’s recommendations led me to discover The Tao of Physics, and Martha Daas inspired me to write at least “a page a day.” Much gratitude to Linda Hero for her moral support. At the ELO Conference I met wonderful scholars in this field who soon became friends and supporters: Orchid Ti
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