Dancing into Hybridization: The Future of Guangchang Wu
The future directions of guangchang wu are identified through the narratives of those who are teaching and learning the practice. A summary of guangchang wu’s future and the visions held by those who participate in the dance highlight feelings that the po
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Ruohan Chen
Critical Studies in Dance Leadership and Inclusion
Series Editors Nicholas Rowe University of Auckland Auckland, New Zealand Tuomeiciren Heyang Chengdu University Chengdu, China Kai Lehikoinen University of the Arts Helsinki Helsinki, Finland
This series investigates the history of long-standing, non-governmental performing dance organizations/artists collectives, in regions as diverse as the Occupied Palestinian Territories, Cambodia, Fiji, Australia, Uganda and Russia. Despite the political, cultural, environmental and economic instability of these regions, local performing arts organizations have produced extensive repertoires of critically-acclaimed, locally-produced creative performances. Their community-focused practices have sought to contribute to the sustainability and resilience of local civil society. Understanding the leadership provided by such grassroots arts organizations is an increasingly urgent concern in an era of growing political, environmental and economic instability. While scholarship has previously investigated the political histories, socio-economic challenges and intangible artistic heritage of these regions, this series presents historical and contextual analysis of how each of these contemporary performing arts organizations or movements provide leadership and resilience within their own communities.
More information about this series at http://www.palgrave.com/gp/series/16283
Rose Martin · Ruohan Chen
The People’s Dance The Power and Politics of Guangchang Wu
Rose Martin Department of Teacher Education Norwegian University of Science and Technology Trondheim, Norway
Ruohan Chen Dance Studies University of Auckland Auckland, New Zealand
ISSN 2661-8451 ISSN 2661-846X (electronic) Critical Studies in Dance Leadership and Inclusion ISBN 978-981-15-9165-5 ISBN 978-981-15-9166-2 (eBook) https://doi.org/10.1007/978-981-15-9166-2 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect
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