Digital Materiality of Chinese Characters in Text-Based Interactive Art
This paper concerns the digital materiality of Chinese characters (漢字, Kanji in Japanese, Hanja in Korean or Hanzi in Chinese; literally ‘Han characters’) in text-based interactive artworks. As a logosyllabic language, Chinese is fundamentally different f
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Sunny Sui-kwong Lam Editor
New Media Spectacles and Multimodal Creativity in a Globalised Asia Art, Design and Activism in the Digital Humanities Landscape
Digital Culture and Humanities Challenges and Developments in a Globalized Asia Volume 3
Editor-in-Chief Kwok-kan Tam, The Hang Seng University of Hong Kong, Shatin, Hong Kong Associate Editors David Barton, Lancaster University, Lancaster, UK Joanne Tompkins, Humanities and Social Sciences, University of Queensland, St Lucia, Australia Anthony Ying-him Fung, The Chinese University of Hong Kong, Shatin, Hong Kong Lang Kao, The Hang Seng University of Hong Kong, Shatin, Hong Kong Sunny Sui-kwong Lam, The Open University of Hong Kong, Ho Man Tin, Hong Kong Anna Wing-Bo Tso, The Hang Seng University of Hong Kong, Ho Man Tin, Hong Kong
This book series on digital culture and humanities examines how digitization changes current cultural practices as well as the modes of thought in humanities subjects, such as art, literature, drama, music and popular culture (which includes comics, films, pop songs, television, animation, games, and mobile apps). It also addresses the opportunities and challenges for scholarly research, industrial practices and education arising from the wide application of digital technologies in cultural production and consumption. The series publishes books that seek to explore how knowledge is (re/)produced and disseminated, as well as how research in humanities is expanded in the digital age. It encourages publication projects that align scholars, artists and industrial practitioners in collaborative research that has international implications. With this as an aim, the book series fills a gap in research that is needed between theory and practice, between Asian and the global, and between production and consumption. Furthermore, the multidisciplinary nature of the book series enhances understanding of the rising Asian digital culture, particularly in entertainment production and consumption, cultural/artistic revisioning, and educational use. For instance, a study of digital animated Chinese paintings will elucidate the reinterpreted Chineseness in artistic representation.
More information about this series at http://www.springer.com/series/15727
Sunny Sui-kwong Lam Editor
New Media Spectacles and Multimodal Creativity in a Globalised Asia Art, Design and Activism in the Digital Humanities Landscape
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Editor Sunny Sui-kwong Lam The Open University of Hong Kong Ho Man Tin, Hong Kong
ISSN 2520-8640 ISSN 2520-8659 (electronic) Digital Culture and Humanities ISBN 978-981-15-7340-8 ISBN 978-981-15-7341-5 (eBook) https://doi.org/10.1007/978-981-15-7341-5 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction o
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