Elizabethan and Jacobean Reappropriation in Contemporary British Drama
This book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane’s Blasted and Jez Butterworth’s Jerusalem. Using the work of Julie Sand
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elizabethan and jacobean reappropriation in contemporary british drama ‘upstart crows’ GRAHAM SAUNDERS
Adaptation in Theatre and Performance Series editors Vicky Angelaki Department of Film, Theatre & Television University of Reading Reading, UK Kara Reilly Department of Drama University of Exeter Exeter, UK
The series addresses the various ways in which adaptation boldly takes on the contemporary context, working to rationalise it in dialogue with the past and involving the audience in a shared discourse with narratives that form part of our artistic and literary but also social and historical constitution. We approach this form of representation as a way of responding and adapting to the conditions, challenges, aspirations and points of reference at a particular historical moment, fostering a bond between theatre and society. More information about this series at http://www.springer.com/series/14373
Graham Saunders
Elizabethan and Jacobean Reappropriation in Contemporary British Drama ‘Upstart Crows’
Graham Saunders University of Birmingham Birmingham, UK
Adaptation in Theatre and Performance ISBN 978-1-137-44452-3 ISBN 978-1-137-44453-0 (eBook) DOI 10.1057/978-1-137-44453-0 Library of Congress Control Number: 2017940197 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover credit: Nicholas Woodeson in Jubilee, 2001 © RSC 103616 Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Macmillan Publishers Ltd. The registered company address is: The Campus, 4 Crinan Street, London, N1 9XW, United Kingdom
Preface
A long and venerable tradition has existed
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