Epilogue
This chapter, “The Epilogue,” concludes the stories in this book. It notes that in 1968, the liberal strain in Czechoslovak culture was abruptly brought to an end by the invasion of the armies of the Warsaw Pact, after which ideological control over art w
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Subversive Adaptations Czech Literature on Screen behind the Iron Curtain
Petr Bubenícek
Palgrave Studies in Adaptation and Visual Culture
Series Editors Julie Grossman Le Moyne College Syracuse, NY, USA R. Barton Palmer Clemson University Clemson, SC, USA
This new series addresses how adaptation function as a principal mode of text production in visual culture. What makes the series distinctive is not only its focus on the various forms of visual culture as both targets and also sources of adaptations, but also its commitment to include forms beyond film and television, such as videogames, mobile applications, the plastic arts, interactive fiction and film, print and non-print media, and the various manifestations of the avant-garde. As such, the series will contribute to an expansive understanding of adaptation as a central, but only one, form of a larger phenomenon within visual culture. Adaptations are texts that are not singular but complexly multiple, connecting them to other pervasive plural forms: sequels, series, genres, trilogies, authorial oeuvres, appropriations, remakes, reboots, cycles and franchises. This series especially welcomes studies that, in some form, treat the connection between adaptation and these other forms of multiplicity. We also welcome proposals that focus on aspects of theory that are relevant to the importance of adaptation as connected to various forms of visual culture. Advisory Board Sarah Cardwell, University of Kent, UK Deborah Cartmell, De Montfort University, UK Timothy Corrigan, University of Pennsylvania, US Lars Ellestrom, Linnaeus University, Sweden Kamilla Elliott, Lancaster University, UK Christine Geraghty, University of Glasgow, UK Helen Hanson, University of Exeter, UK Linda Hutcheon, University of Toronto, Canada Glenn Jellenik, University of Central Arkansas, US Thomas Leitch, University of Delaware, US Brian McFarlane, Monash University, Australia Simone Murray, Monash University, Australia James Naremore, Indiana University, US Kate Newell, Savannah College of Art and Design, US Laurence Raw, Baskent University, Turkey Robert Stam, New York University, US Constantine Verevis, Monash University, Australia Imelda Whelehan, University of Tasmania, Australia Shannon Wells-Lassagne, Universite de Bretagne Sud, France
More information about this series at http://www.springer.com/series/14654
Petr Bubeníček
Subversive Adaptations Czech Literature on Screen behind the Iron Curtain
Petr Bubeníček Masaryk University Brno, Czech Republic
Palgrave Studies in Adaptation and Visual Culture ISBN 978-3-319-40960-3 ISBN 978-3-319-40961-0 (eBook) DOI 10.1007/978-3-319-40961-0 Library of Congress Control Number: 2017937911 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any
