History, Memory, Performance
History, Memory, Performance is an interdisciplinary collection of essays exploring performances of the past in a wide range of trans-national and historical contexts. At its core are contributions from theatre scholars and public historians discussing ho
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Hi s t or y,Memor y, Per f or mance Davi dDean YanaMeer zon Kat hr ynPr i nce
Studies in International Performance
Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities, and imaginations. Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical, and critical approaches to the panoply of performances that make up the global surround. The series embraces ‘Culture,’ which is institutional as well as improvised, underground or alternate, and treats ‘Performance’ as either intercultural or transnational as well as intracultural within nations. Titles include: Patrick Anderson and Jisha Menon (editors) VIOLENCE PERFORMED Local Roots and Global Routes of Conflict Elaine Aston and Mark O’Thomas ROYAL COURT: INTERNATIONAL Elaine Aston and Sue-Ellen Case STAGING INTERNATIONAL FEMINISMS Christopher B. Balme PACIFIC PERFORMANCES Theatricality and Cross-Cultural Encounter in the South Seas Karen Fricker and Milija Gluhovic (editors) PERFORMING THE ‘NEW’ EUROPE Identities, Feelings and Politics in the Eurovision Song Contest Helen Gilbert and Jacqueline Lo PERFORMANCE COSMOPOLITICS Cross-Cultural Transactions in Australasia Milija Gluhovic PERFORMING EUROPEAN MEMORIES Trauma, Ethics, Politics Susan C. Haedicke CONTEMPORARY STREET ARTS IN EUROPE Aesthetics and Politics Ketu Katrak CONTEMPORARY INDIAN DANCE New Creative Choreography in India and the Diaspora Peter Lichtenfels and John Rouse (editors) PERFORMANCE, POLITICS AND ACTIVISM Carol Martin (editor) THE DRAMATURGY OF THE REAL ON THE WORLD STAGE
10.1057/9781137393890 - History, Memory, Performance, Edited by David Dean, Yana Meerzon and Kathryn Prince
Copyright material from www.palgraveconnect.com - licensed to New York University - Waldmann Dental Library - PalgraveConnect - 2015-07-31
Published in association with the International Federation of Theatre Research General Editors: Janelle Reinelt and Brian Singleton
Christina S. McMahon RECASTING TRANSNATIONALISM THROUGH PERFORMANCE Theatre Festivals in Cape Verde, Mozambique and Brazil Yana Meerzon PERFORMING EXILE, PERFORMING SELF Drama, Theatre, Film Lara D. Nielson and Patricia Ybarra (editors) NEOLIBERALISM AND GLOBAL THEATRES Performance Permutations Ashis Sengupta (editor) MAPPING SOUTH ASIA THROUGH CONTEMPORARY THEATRE Essays on the Theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka Marcus Tan ACOUSTIC INTERCULTURALISM Listening to Performance Joanne Tompkins UNSETTLING SPACE Contestations in Contemporary Australian Theatre Denise Varney, Peter Eckersall, Chris Hudson and Barbara Hatley THEATRE AND PERFORMANCE IN THE ASIA-PACIFIC Regional Modernities in the Global Era Maurya Wickstrom PERFORMANCE IN THE BLOCKADES OF NEOLIBERALISM Thinking the Political Anew
Studies in International Performance Series Standing Order ISBN 978–1–403–9
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