Jonathan Burrows Towards a Minor Dance
The first monograph on the work of British choreographer Jonathan Burrows, this book examines his artistic practice and poetics as articulated through his choreographic works, his writings and his contributions to current performance debates. It considers
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Jonathan Burrows Towards a Minor Dance
da n i e l a pe r a z zo d om m
New World Choreographies Series Editors Rachel Fensham School of Culture and Communication University of Melbourne Parkville, Australia Peter M. Boenisch Royal Central School of Speech and Drama London, UK
This series presents advanced yet accessible studies of a rich field of new choreographic work which is embedded in the global, transnational and intermedial context. It introduces artists, companies and scholars who contribute to the conceptual and technological rethinking of what constitutes movement, blurring old boundaries between dance, theatre and performance. The series considers new aesthetics and new contexts of production and presentation, and discusses the multi-sensory, collaborative and transformative potential of these new world choreographies. More information about this series at http://www.palgrave.com/gp/series/14729
Daniela Perazzo Domm
Jonathan Burrows Towards a Minor Dance
Daniela Perazzo Domm Department of Performing Arts Kingston University London Kingston upon Thames, UK
New World Choreographies ISBN 978-3-030-27679-9 ISBN 978-3-030-27680-5 (eBook) https://doi.org/10.1007/978-3-030-27680-5 © The Editor(s) (if applicable) and The Author(s) 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover credit: Jonathan Burrows and Matteo Fargion in The Quiet Dance (2005) © Alastair Muir This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
‘è che questa dannata lingua che non so come chiamare è bellissima, bellissima… e io l’amo molto’ [This damned language, for which I don’t have a name, is beautiful, beautiful… and I love it dearly.] —Tommaso Landolfi, Dialogo dei massimi sistemi, 1937
To Valentina and Sil
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