Live and Recorded Music Experience in the Digital Millennium
This book uncovers how music experience – live and recorded – is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what
- PDF / 1,520,222 Bytes
- 190 Pages / 419.58 x 612.28 pts Page_size
- 66 Downloads / 226 Views
Yngvar Kjus
Pop Music, Culture and Identity
Pop Music, Culture and Identity
Series editors Steve Clark Graduate School Humanities and Sociology University of Tokyo Bunkyo-ku, Tokyo, Japan Tristanne Connolly Department of English St Jerome’s University Waterloo, ON, Canada Jason Whittaker School of English & Journalism University of Lincoln Lincoln, Lincolnshire, UK
Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proved itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by nation, class, gender and historical period. Pop Music, Culture and Identity investigates how this enhanced status shapes the iconography of celebrity, provides an ever-expanding archive for generational memory and accelerates the impact of new technologies on performing, packaging and global marketing. The series gives particular emphasis to interdisciplinary approaches that go beyond musicology and seeks to validate the informed testimony of the fan alongside academic methodologies. More information about this series at http://www.palgrave.com/gp/series/14537
Yngvar Kjus
Live and Recorded Music Experience in the Digital Millennium
Yngvar Kjus Department of Media and Communication University of Oslo Oslo, Norway
Pop Music, Culture and Identity ISBN 978-3-319-70367-1 ISBN 978-3-319-70368-8 (eBook) https://doi.org/10.1007/978-3-319-70368-8 Library of Congress Control Number: 2017961827 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Ghenadie Pascari / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publish
Data Loading...
