Mapping Movie Magazines Digitization, Periodicals and Cinema History
“Mapping Movie Magazines is an exciting and timely collection on uncharted regions and approaches, richly demonstrating that movie magazines are emphatically not a secondary or peripheral part of cinema history but are woven into its very fabric.” -
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Mapping Movie Magazines Digitization, Periodicals and Cinema History
Edited by Daniel Biltereyst Lies Van de Vijver
Global Cinema Series Editors Katarzyna Marciniak Department of English Ohio University Athens, OH, USA Anikó Imre Division of Cinema and Media Studies University of Southern California Los Angeles, CA, USA Áine O’Healy Department of Modern Languages and Literatures Loyola Marymount University Los Angeles, CA, USA
The Global Cinema series publishes innovative scholarship on the transnational themes, industries, economies, and aesthetic elements that increasingly connect cinemas around the world. It promotes theoretically transformative and politically challenging projects that rethink film studies from cross-cultural, comparative perspectives, bringing into focus forms of cinematic production that resist nationalist or hegemonic frameworks. Rather than aiming at comprehensive geographical coverage, it foregrounds transnational interconnections in the production, distribution, exhibition, study, and teaching of film. Dedicated to global aspects of cinema, this pioneering series combines original perspectives and new methodological paths with accessibility and coverage. Both ‘global’ and ‘cinema’ remain open to a range of approaches and interpretations, new and traditional. Books published in the series sustain a specific concern with the medium of cinema but do not defensively protect the boundaries of film studies, recognizing that film exists in a converging media environment. The series emphasizes a historically expanded rather than an exclusively presentist notion of globalization; it is mindful of repositioning ‘the global’ away from a US-centric/Eurocentric grid, and remains critical of celebratory notions of ‘globalizing film studies.’ More information about this series at http://www.palgrave.com/gp/series/15005
Daniel Biltereyst • Lies Van de Vijver Editors
Mapping Movie Magazines Digitization, Periodicals and Cinema History
Editors Daniel Biltereyst Department of Communication Studies Ghent University Ghent, Belgium
Lies Van de Vijver Department of Communication Studies Ghent University Ghent, Belgium
Global Cinema ISBN 978-3-030-33276-1 ISBN 978-3-030-33277-8 (eBook) https://doi.org/10.1007/978-3-030-33277-8 © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regul
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