Mediations of Disruption in Post-Conflict Cinema
Mediations of Disruption in Post-Conflict Cinema is a transdisciplinary volume that addresses the cinematic mediation of a wide range of conflicts. From World War II and its aftermath to the exploration of colonial and post-colonial experiences and more r
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Mediations of Disruption in Post-Conflict Cinema
Adriana Martins • Alexandra Lopes • Mónica Dias Editors
Mediations of Disruption in Post-Conflict Cinema
Editors Adriana Martins Universidade Católica Portuguesa Lisbon, Portugal
Alexandra Lopes Universidade Católica Portuguesa Lisbon, Portugal
Mónica Dias Universidade Católica Portuguesa Lisbon, Portugal
ISBN 978-1-137-57519-7 ISBN 978-1-137-57520-3 DOI 10.1057/978-1-137-57520-3
(eBook)
Library of Congress Control Number: 2016938070 © The Editors (if applicable) and the Authors 2016 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Macmillan Publishers Ltd. London
CONTENTS
1
Introduction: Towards a Poetics of Conflict in Film Adriana Martins, Alexandra Lopes, and Mónica Dias
Managing Oblivion and Silence
19
Post-conflict Cinema: Beyond Truth and Reconciliation? Thomas Elsaesser
21
The Sovereign’s Broken Voice. On the Cinematic Politics of Representation Isabel Capeloa Gil
43
Long Is the Road: Politics of Memory in an Early Jewish-German Postwar Film Geesa Marie Tuch
61
Part I 2
3
4
5
1
Cinema and Conflict in Postcolonial Mozambique: Archival Images as Illustration and Evidence in Estas São as Armas (1978) Robert Stock
75
v
vi
6
CONTENTS
‘What’s This War in the Heart of Nature?’ Fire, Water, Earth and Air in Terrence Malick’s The Thin Red Line Frank A. Anselmo
Part II 7
8
9
10
12
107
The Trauma of Terrorism: Post 9/11 Hollywood Cinema Thomas Riegler
111
A Letter to Osama bin Laden. On Healing and Conciliation in Sharon Maguire’s Incendiary Mónica Dias
123
Memory and Representation: Japanese Terrorism in Distance and United Red Army Nuno Barradas Jorge
137
Narrative Outbreak in Contemporary
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