Music Perception
This volume presents an overview of a relatively new field of psychoacoustic and hearing research that involves perception of musical sound patterns. The material is considered in a set of chapters that reflect the current status of scientific scholarship
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Mari Riess Jones Richard R. Fay Arthur N. Popper ●
Editors
Music Perception
Editors Mari Riess Jones The Ohio State University Columbus, OH 43210 USA and University of California Santa Barbara Santa Barbara, CA 93111 USA [email protected]
Richard R. Fay Loyola University of Chicago Chicago, IL USA [email protected]
Arthur N. Popper University of Maryland College Park, MD 20742 USA [email protected]
ISBN 978-1-4419-6113-6 e-ISBN 978-1-4419-6114-3 DOI 10.1007/978-1-4419-6114-3 Springer New York Dordrecht Heidelberg London Library of Congress Control Number: 2010931281 © Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer Science+Business Media (www.springer.com)
Series Preface
The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The volumes are aimed at all individuals with interests in hearing research including advanced graduate students, post-doctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in peerreviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beginning to develop. New research areas will be covered on a timely basis in the series as they begin to mature. Each volume in the series consists of a few substantial chapters on a particular topic. In some cases, the topics will be ones of traditional interest for which there is a substantial body of data and theory, such as auditory neuroanatomy (Vol. 1) and neurophysiology (Vol. 2). Other volumes in the series deal with topics that have begun to mature more recently, such as development, plasticity, and computational models of neural pr
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