Musical Cosmopolitanism, Bodies and Aesthetic Cultures
Amid the growing sociological interest in cosmopolitanism, Motti Regev seeks to outline in his contribution the major aspects pertaining to the role of music—and pop-rock music in particular—in the consolidation and materialization of cosmopolitanism. Hen
- PDF / 2,260,939 Bytes
- 161 Pages / 419.528 x 595.276 pts Page_size
- 53 Downloads / 192 Views
Alfred Smudits Editor
Roads to Music Sociology
Musik und Gesellschaft Series editor A. Smudits, Wien, Austria
Die traditionsreiche Reihe „Musik und Gesellschaft“ wurde 1967 von Kurt Blaukopf begründet und widmet sich den Zusammenhängen von Musik und Gesellschaft.
More information about this series at http://www.springer.com/series/15551
Alfred Smudits Editor
Roads to Music Sociology
Editor Alfred Smudits Institut für Musiksoziologie Universität für Musik und darstellende Kunst Wien, Austria
ISSN 0259-076X ISSN 2522-8331 (electronic) Musik und Gesellschaft ISBN 978-3-658-22278-9 ISBN 978-3-658-22279-6 (eBook) https://doi.org/10.1007/978-3-658-22279-6 Library of Congress Control Number: 2018948616 Springer VS © Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Springer VS imprint is published by the registered company Springer Fachmedien Wiesbaden GmbH part of Springer Nature The registered company address is: Abraham-Lincoln-Str. 46, 65189 Wiesbaden, Germany
Contents
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Alfred Smudits Music Sociology After Mass Modernity. . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Alfred Smudits 1 Modernity and Modernisation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 2 Mass Modernity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 3 Sociology of Music and Modernisation. . . . . . . . . . . . . . . . . . . . . . . . . . . 11 4 Music Sociology After Mass Modernity. . . . . . . . . . . . . . . . . . . . . . . . . . . 14 5 Final Remarks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 References. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Data Loading...
