New Directions in Music and Human-Computer Interaction
Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection,
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Simon Holland · Tom Mudd · Katie Wilkie-McKenna · Andrew McPherson · Marcelo M. Wanderley Editors
New Directions in Music and HumanComputer Interaction
Springer Series on Cultural Computing Editor-in-chief Ernest Edmonds, Institute for Creative Technologies, De Montfort University, Leicester, UK Series editors Bronaċ Ferran, Birkbeck, University of London, London, UK Nick Bryan-Kinns, Queen Mary University of London, London, UK Linda Candy, University of Technology, Ultimo, NSW, Australia David England, School of Computing and Mathematical Sciences, Liverpool John Moores University, Liverpool, UK Andrew Hugill, De Montfort University, Leicester, Leicestershire, UK Nicholas Lambert, Ravensbourne, London, UK Paul Brown, University of Sussex, Ocean Shores, Australia Jonas Lowgren, Linköping University, Malmo, Sweden Ellen Yi-Luen Do, Atlas Institute, University of Colorado Boulder, Boulder, CO, USA Craig Vear, De Montfort University, Leicester, UK Sam Ferguson, University of Technology, Sydney, Australia
More information about this series at http://www.springer.com/series/10481
Simon Holland Tom Mudd Katie Wilkie-McKenna Andrew McPherson Marcelo M. Wanderley •
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New Directions in Music and Human-Computer Interaction
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Editors Simon Holland Music Computing Lab, Centre for Research in Computing, Walton Hall The Open University Milton Keynes, UK Katie Wilkie-McKenna Music Computing Lab, Centre for Research in Computing, Walton Hall The Open University Milton Keynes, UK
Tom Mudd Reid School of Music University of Edinburgh Edinburgh, UK Andrew McPherson Centre for Digital Music, School of Electronic Engineering and Computer Science Queen Mary University of London London, UK
Marcelo M. Wanderley Centre for Interdisciplinary Research in Music Media and Technology McGill University Montreal, QC, Canada Inria Lille – Nord Europe Villeneuve d'Ascq, France
ISSN 2195-9056 ISSN 2195-9064 (electronic) Springer Series on Cultural Computing ISBN 978-3-319-92068-9 ISBN 978-3-319-92069-6 (eBook) https://doi.org/10.1007/978-3-319-92069-6 Library of Congress Control Number: 2018965906 © Springer Nature Switzerland AG 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of
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