Objects in Italian Life and Culture Fiction, Migration, and Artifici
This book makes visible the hidden relations between things and individuals through a discussion of creative processes and cultural practices. It engages with fascinating Italian life and culture are filled with objects that cross, accompany, facilitate o
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OBJECTS IN ITALIAN LIFE AND CULTURE Fiction, Migration, and Artificiality
Paolo Bartoloni
Italian and Italian American Studies Series Editor Stanislao G.Pugliese Hofstra University Hempstead, New York, USA
This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of specialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fields of Italian and Italian American Studies by re-emphasizing their connection to one another.
More information about this series at http://www.springer.com/series/14835
Paolo Bartoloni
Objects in Italian Life and Culture Fiction, Migration, and Artificiality
Paolo Bartoloni Italian, Arts Millennium Building National University of Ireland, Galway Galway, Ireland
Italian and Italian American Studies ISBN 978-1-349-94874-1 ISBN 978-1-349-94875-8 DOI 10.1057/978-1-349-94875-8
(eBook)
Library of Congress Control Number: 2016942683 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Nature America Inc. New York
ACKNOWLEDGEMENTS
Large sections of this book were written during the year of sabbatical leave granted by my university, the National University of Ireland, Galway, in 2014. I wish to acknowledge and thank the support and the financial assistance of the University of the Sunshine Coast in Queensland, Australia, and the Australasian Centre for Italian Studies (ACIS), which respectively appointed me visiting professor and honorary research associate in the months of August and September 2014. During that period I had the opportunity to work closely with Francesco Ricatti of the
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