Patterns of Intuition Musical Creativity in the Light of Algorithmic
The present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented thro
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Patterns of Intuition Musical Creativity in the Light of Algorithmic Composition
Patterns of Intuition
Gerhard Nierhaus Editor
Patterns of Intuition Musical Creativity in the Light of Algorithmic Composition
123
Editor Gerhard Nierhaus Institute of Electronic Music and Acoustics University of Music and Performing Arts Graz Graz, Austria
ISBN 978-94-017-9560-9 DOI 10.1007/978-94-017-9561-6
ISBN 978-94-017-9561-6
(eBook)
Library of Congress Control Number: 2014959522 Springer Dordrecht Heidelberg New York London © Springer Science+Business Media Dordrecht 2015 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. While the advice and information in this book are believed to be true and accurate at the date of publication, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omissions that may be made. The publisher makes no warranty, express or implied, with respect to the material contained herein. Printed on acid-free paper Springer is part of Springer Science+Business Media (www.springer.com)
Acknowledgments
I wish to thank all institutions and people who contributed to the work for the project and the making of this book. In the first place, I wish to acknowledge the role of the Austrian Science Fund (FWF), whose funding made possible a project of this scale. I am grateful also to Springer Verlag for their professional and pleasant cooperation throughout the publication of this volume. I am particularly thankful to my colleagues Daniel Mayer and Hanns Holger Rutz, as well as the contributing researchers and, most of all, the composers who, over a large period of time, patiently, enthusiastically, and with substantial personal effort, expos
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