Phenomenology and the Arts: Logos and Aisthesis
This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Cover
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Kwok-Ying Lau Thomas Nenon Editors
Phenomenology and the Arts: Logos and Aisthesis
Contributions to Phenomenology In Cooperation with The Center for Advanced Research in Phenomenology Volume 109 Series Editors Nicolas de Warren, Department of Philosophy, Pennsylvania State University, State College, PA, USA Ted Toadvine, Department of Philosophy, Pennsylvania State University, State College, PA, USA Editorial Board Lilian Alweiss, Trinity College Dublin, Dublin, Ireland Elizabeth Behnke, Ferndale, WA, USA Rudolf Bernet, Husserl Archive, KU Leuven, Belgium David Carr, Emory University, Atlanta, GA, USA Chan-Fai Cheung, Chinese University of Hong Kong, Sha Tin, Hong Kong James Dodd, New School University, New York, USA Lester Embree, Florida Atlantic University, Florida, USA Alfredo Ferrarin, Università di Pisa, Pisa, Italy Burt Hopkins, University of Lille, Lille, France José Huertas-Jourda, Wilfrid Laurier University, Waterloo, Canada Kwok-Ying Lau, Chinese University of Hong Kong, Sha Tin, Hong Kong Nam-In Lee, Seoul National University, Seoul, Korea (Republic of) Dieter Lohmar, University of Cologne, Cologne, Germany William R. McKenna, Miami University, Ohio, USA Algis Mickunas, Ohio University, Ohio, USA J. N. Mohanty, Temple University, Philadelphia, USA Dermot Moran, University College Dublin, Dublin, Ireland Junichi Murata, University of Tokyo, Tokyo, Japan Thomas Nenon, The University of Memphis, Memphis, USA Thomas M. Seebohm, Johannes Gutenberg-Universität, Mainz, Germany Gail Soffer, Roma Tre University, Rome, Italy Anthony Steinbock, Southern Illinois University, Carbondale, USA Shigeru Taguchi, Hokkaido University, Sapporo, Japan Dan Zahavi, University of Copenhagen, Copenhagen, Denmark Richard M. Zaner, Vanderbilt University, Nashville, USA
Scope The purpose of the series is to serve as a vehicle for the pursuit of phenomenological research across a broad spectrum, including cross-over developments with other fields of inquiry such as the social sciences and cognitive science. Since its establishment in 1987, Contributions to Phenomenology has published more than 100 titles on diverse themes of phenomenological philosophy. In addition to welcoming monographs and collections of papers in established areas of scholarship, the series encourages original work in phenomenology. The breadth and depth of the Series reflects the rich and varied significance of phenomenological thinking for seminal questions of human inquiry as well as the increasingly international reach of phenomenological research. All books to be published in this Series will be fully peer-reviewed before final acceptance. The series is published in cooperation with The Center for Advanced Research in Phenomenology. More information about this series at http://www.springer.com/series/5811
Kwok-Ying Lau • Thomas Nenon Editors
Phenomenology and the Arts: Logos and Aisthesis
Editors Kwok-Ying Lau Department of Philosophy The Chinese University of Hong Kong Shatin, Hong Kong
Thomas Nenon Department of Philosophy University of Memphi
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