Playful Memories The Autofictional Turn in Post-Dictatorship Argenti
This volume examines the blending of fact and fiction in a series of cultural artefacts by post-dictatorship writers and artists in Argentina, many of them children of disappeared or persecuted parents. Jordana Blejmar argues that these works, w
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Jordana Blejmar
palgrave macmillan memory studies
Palgrave Macmillan Memory Studies Series Editors Andrew Hoskins University of Glasgow Glasgow, United Kingdom John Sutton Department of Cognitive Science Macquarie University Macquarie, Australia
The nascent field of Memory Studies emerges from contemporary trends that include a shift from concern with historical knowledge of events to that of memory, from “what we know” to “how we remember it”; changes in generational memory; the rapid advance of technologies of memory; panics over declining powers of memory, which mirror our fascination with the possibilities of memory enhancement; and the development of trauma narratives in reshaping the past. These factors have contributed to an intensification of public discourses on our past over the last thirty years. Technological, political, interpersonal, social and cultural shifts affect what, how and why people and societies remember and forget. This groundbreaking new series tackles questions such as: What is “memory” under these conditions? What are its prospects, and also the prospects for its interdisciplinary and systematic study? What are the conceptual, theoretical and methodological tools for its investigation and illumination? More information about this series at http://www.springer.com/series/14682
Jordana Blejmar
Playful Memories The Autofictional Turn in Post-Dictatorship Argentina
Jordana Blejmar Department of Communication & Media University of Liverpool Liverpool, United Kingdom
Palgrave Macmillan Memory Studies ISBN 978-3-319-40963-4 ISBN 978-3-319-40964-1 (eBook) DOI 10.1007/978-3-319-40964-1 Library of Congress Control Number: 2016957792 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Cover image © Lorena Fernández / Lola Arias, Mi vida después (2008) Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Sprin
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