Popular Music, Technology, and the Changing Media Ecosystem From Cas
“Today’s pop music is technologically embedded in an array of different devices, platforms, and media. This wide-ranging book by a new generation of media scholars tracks a fascinating assortment of case studies, and powerfully shows how this digital ecol
- PDF / 4,090,865 Bytes
- 263 Pages / 433.701 x 612.283 pts Page_size
- 69 Downloads / 197 Views
Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Edited by Tamas Tofalvy · Emília Barna
Pop Music, Culture and Identity
Series Editors Steve Clark Graduate School Humanities and Sociology University of Tokyo Bunkyo-ku, Tokyo, Japan Tristanne Connolly Department of English St Jerome’s University Waterloo, ON, Canada Jason Whittaker School of English & Journalism University of Lincoln Lincoln, Lincolnshire, UK
Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proved itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by nation, class, gender and historical period. Pop Music, Culture and Identity investigates how this enhanced status shapes the iconography of celebrity, provides an ever-expanding archive for generational memory and accelerates the impact of new technologies on performing, packaging and global marketing. The series gives particular emphasis to interdisciplinary approaches that go beyond musicology and seeks to validate the informed testimony of the fan alongside academic methodologies.
More information about this series at http://www.palgrave.com/gp/series/14537
Tamas Tofalvy · Emília Barna Editors
Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream
Editors Tamas Tofalvy Department of Sociology and Communication Budapest University of Technology and Economics Budapest, Hungary
Emília Barna Department of Sociology and Communication Budapest University of Technology and Economics Budapest, Hungary
Pop Music, Culture and Identity ISBN 978-3-030-44658-1 ISBN 978-3-030-44659-8 (eBook) https://doi.org/10.1007/978-3-030-44659-8 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publish
Data Loading...
