Postcolonialism and Postsocialism in Fiction and Art Resistance and
This book tackles the intersections of postcolonial and postsocialist imaginaries and sensibilities focusing on the ways they are reflected in contemporary art, fiction, theater and cinema. After the defeat of the Socialist modernity the postsociali
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Madina Tlostanova, The Sublime of Globalization: Sketches on Transcultural Subjectivity and Aesthetics Madina Tlostanova, Gender Epistemologies and Eurasian Borderlands Madina Tlostanova and Walter Mignolo, Learning to Unlearn: Decolonial Reflections from Eurasia and the Americas
Madina Tlostanova
Postcolonialism and Postsocialism in Fiction and Art Resistance and Re-existence
Madina Tlostanova Linköping University Linköping, Sweden
ISBN 978-3-319-48444-0 DOI 10.1007/978-3-319-48445-7
ISBN 978-3-319-48445-7 (eBook)
Library of Congress Control Number: 2016960547 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Cover illustration: © Ciprian Muresan Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
ACKNOWLEDGEMENTS
I warmly thank Walter Mignolo, Pedro Pablo Gómez, and Rolando Vázquez – my decolonial colleagues – for inviting me to publish a series of articles on decolonial aesthesis in their co-edited collections and journals including CALLE14, Estéticas y Opción Decolonial, Arte y Estética en la Encrucijada Descolonial, and Social Text. Periscope, as well as for giving me a chance to share my ideas and intuitions on the intersections of postcolonial and postsocialist artistic and existential experiences at the annual Decolonial Summer School ‘Stolen memories: museums, slavery and (de) coloniality’ and ‘What does it mean to decolonize? Introducing the decolonial option’ in Middelburg, the Netherlands, in 2015 and in 2016. I would also like to thank my postsocialist colleagues from Poland, Slovakia, Estonia, Latvia, and Romania, with whom we have collaborated in different book and journal projects and conferences on the intersections of postsocialist and postcolonial sensibilities. Our many illuminating conversations,
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