Provenance and Annotation of Data International Provenance and Annot
Provenance is a well understood concept in the study of ?ne art, where it refers to the documented history of an art object. Given that documented history, the objectattains anauthority that allows scholarsto understandand appreciateits importance and con
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Editorial Board David Hutchison Lancaster University, UK Takeo Kanade Carnegie Mellon University, Pittsburgh, PA, USA Josef Kittler University of Surrey, Guildford, UK Jon M. Kleinberg Cornell University, Ithaca, NY, USA Friedemann Mattern ETH Zurich, Switzerland John C. Mitchell Stanford University, CA, USA Moni Naor Weizmann Institute of Science, Rehovot, Israel Oscar Nierstrasz University of Bern, Switzerland C. Pandu Rangan Indian Institute of Technology, Madras, India Bernhard Steffen University of Dortmund, Germany Madhu Sudan Massachusetts Institute of Technology, MA, USA Demetri Terzopoulos University of California, Los Angeles, CA, USA Doug Tygar University of California, Berkeley, CA, USA Moshe Y. Vardi Rice University, Houston, TX, USA Gerhard Weikum Max-Planck Institute of Computer Science, Saarbruecken, Germany
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Luc Moreau Ian Foster (Eds.)
Provenance andAnnotation of Data International Provenance and Annotation Workshop IPAW 2006 Chicago, IL, USA, May 3-5, 2006 Revised Selected Papers
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Volume Editors Luc Moreau University of Southampton Southampton, UK E-mail: [email protected] Ian Foster Argonne National Lab University of Chicago Chicago, U.S.A. E-mail: [email protected]
Library of Congress Control Number: 2006933370 CR Subject Classification (1998): H.3, H.4, D.4, E.2, H.5, K.6, K.4 LNCS Sublibrary: SL 3 – Information Systems and Application, incl. Internet/Web and HCI ISSN ISBN-10 ISBN-13
0302-9743 3-540-46302-X Springer Berlin Heidelberg New York 978-3-540-46302-3 Springer Berlin Heidelberg New York
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Preface
Provenance is a well understood concept in the study of fine art, where it refers to the documented history of an art object. Given that documented history, the object attains an authority that allows scholars to understand and appreciate its importance and context relative to other works. In the absence of such history, art objects may be treated with some skepticism by those who study and view them. Over the last few years, a number of teams have been applying this concept of provenance to data and information generated within computer systems. If the provenance of data produced by computer systems can be determin
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