Regimes of Invisibility in Contemporary Art, Theory and Culture Imag
This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopo
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Marina Gržinić • Aneta Stojnić • Miško Šuvaković Editors
Regimes of Invisibility in Contemporary Art, Theory and Culture Image, Racialization, History Contributions by Marina Gržinić, Adla Isanović, Alanna Lockward, Federica Martini, Aleksa Milanović, Andrea Pócsik, Aneta Stojnić, Miško Šuvaković, Šefik Tatlić, Jelena Todorović
Editors Marina Gržinić Institute of Fine Arts (IBK) Academy of Fine Arts Vienna Vienna, Austria
Aneta Stojnić Faculty of Media and Communications Singidunum University Belgrade, Serbia
Miško Šuvaković Faculty of Media and Communications Singidunum University Belgrade, Serbia
ISBN 978-3-319-55172-2 DOI 10.1007/978-3-319-55173-9
ISBN 978-3-319-55173-9 (eBook)
Library of Congress Control Number: 2017951242 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Sunny Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
CONTENTS
1 Introduction: Image, Racialization, History Miško Šuvaković, Aneta Stojnić and Marina Gržinić
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Part I Theoretical-Political Interventions 2 Racialized Bodies and the Digital (Financial) Mode of Production Marina Gržinić 3 Politics and Aesthetics of Databases and Forensics Adla Isanović 4 The Emancipation of Necrocapitalism: Teleological Function of Liberalism and the Optimization of Hegemony Šefik Tatlić 5 The Impact of Western Society onto the Identity Politics of Sexual and Gender Minorities in Colonial and Post-colonial India Aleksa Milanović
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CONTENTS
Part II Visual and Curatorial Deconstructions 6 Radical Contemporaneity Aneta Stojnić
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7 Affective Constructions: Image—Racialisation—History Miško Šuvaković
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