Rhythm, Play and Interaction Design
There are rhythms of action and response to all human-computer interactions. As we click, swipe, tap and sway to their beats, these rhythms intersect with the rhythms of our everyday lives. Perhaps they synchronize, perhaps they disrupt each other or mayb
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Brigid M. Costello
Rhythm, Play and Interaction Design
Springer Series on Cultural Computing Editor-in-chief Ernest Edmonds, University of Technology, Sydney, Australia Series editors Frieder Nake, University of Bremen, Bremen, Germany Nick Bryan-Kinns, Queen Mary University of London, London, UK Linda Candy, University of Technology, Sydney, Australia David England, Liverpool John Moores University, Liverpool, UK Andrew Hugill, De Montfort University, Leicester, UK Shigeki Amitani, Adobe Systems Inc., Tokyo, Japan Doug Riecken, Columbia University, New York, USA Jonas Lowgren, Linköping University, Norrköping, Sweden Ellen Yi-Luen Do, University of Colorado Boulder, Boulder, USA Sam Ferguson, University of Technology Sydney, Sydney, Australia
More information about this series at http://www.springer.com/series/10481
Brigid M. Costello
Rhythm, Play and Interaction Design
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Brigid M. Costello School of the Arts and Media The University of New South Wales Sydney, NSW Australia
ISSN 2195-9056 ISSN 2195-9064 (electronic) Springer Series on Cultural Computing ISBN 978-3-319-67848-1 ISBN 978-3-319-67850-4 (eBook) https://doi.org/10.1007/978-3-319-67850-4 Library of Congress Control Number: 2018935228 © Springer International Publishing AG, part of Springer Nature 2018 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Printed on acid-free paper This Springer imprint is published by the registered company Springer International Publishing AG part of Springer Nature The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgements
Acknowledgement and many thanks are due to the creative practitioners who generously gave up their time to be interviewed. Their voices provided crucial insights and perspectives that have shaped and enriched the book: Joe Agius, Simon Barker, Patrick Cook, Clare Grant, Sue Healey, Alon Ilsar, Andrew Joh
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