Robotic Musicianship Embodied Artificial Creativity and Mechatronic
This book discusses the principles, methodologies, and challenges of robotic musicianship through an in-depth review of the work conducted at the Georgia Tech Center for Music Technology (GTCMT), where the concept was first developed. Robotic musicianship
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Gil Weinberg Mason Bretan Guy Hoffman Scott Driscoll
Robotic Musicianship Embodied Artificial Creativity and Mechatronic Musical Expression
Automation, Collaboration, & E-Services Volume 8
Series Editor Shimon Y. Nof, PRISM Center, Grissom, Purdue University, West Lafayette Indiana, IN, USA
The Automation, Collaboration, & E-Services series (ACES) publishes new developments and advances in the fields of Automation, collaboration and e-services; rapidly and informally but with a high quality. It captures the scientific and engineering theories and techniques addressing challenges of the megatrends of automation, and collaboration. These trends, defining the scope of the ACES Series, are evident with wireless communication, Internetworking, multi-agent systems, sensor networks, cyber-physical collaborative systems, interactive-collaborative devices, and social robotics—all enabled by collaborative e-Services. Within the scope of the series are monographs, lecture notes, selected contributions from specialized conferences and workshops.
More information about this series at http://www.springer.com/series/8393
Gil Weinberg Mason Bretan Guy Hoffman Scott Driscoll •
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Robotic Musicianship Embodied Artificial Creativity and Mechatronic Musical Expression
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Gil Weinberg Georgia Institute of Technology Atlanta, GA, USA Guy Hoffman Cornell University Ithaca, NY, USA
Mason Bretan Novato, CA, USA Scott Driscoll Atlanta, GA, USA
ISSN 2193-472X ISSN 2193-4738 (electronic) Automation, Collaboration, & E-Services ISBN 978-3-030-38929-1 ISBN 978-3-030-38930-7 (eBook) https://doi.org/10.1007/978-3-030-38930-7 © Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Springer imprint is published by the registered company Springer Nature Switzerland AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
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