Screening Modern Irish Fiction and Drama
This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines
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Screening Modern Irish Fiction and Drama Edited by R. Barton Palmer and Marc C. Conner
Palgrave Studies in Adaptation and Visual Culture Series Editors Julie Grossman Le Moyne College Syracuse, New York, USA R. Barton Palmer University of California San Diego, USA
This new series addresses how adaptation function as a principal mode of text production in visual culture. What makes the series distinctive is not only its focus on the various forms of visual culture as both a target and a source of adaptations, but also its commitment to include forms beyond film and television, such as videogames, mobile applications, the plastic arts, interactive fiction and film, print and non-print media, and the various manifestations of the avant-garde. As such, the series will contribute to an expansive understanding of adaptation as a central, but only one, form of a larger phenomenon within visual culture. Adaptations are texts that are not singular but complexly multiple, connecting them to other pervasive plural forms: sequels, series, genres, trilogies, authorial oeuvres, appropriations, remakes, reboots, cycles and franchises. This series especially welcomes studies that, in some form, treat the connection between adaptation and these other forms of multiplicity. We also welcome proposals that focus on aspects of theory that are relevant to the importance of adaptation as connected to various forms of visual culture.
More information about this series at http://www.springer.com/series/14654
R. Barton Palmer • Marc C. Conner Editors
Screening Modern Irish Fiction and Drama
Editors R. Barton Palmer Clemson University Clemson, South Carolina, USA
Marc C. Conner Washington and Lee University Lexington, Virginia, USA
Palgrave Studies in Adaptation and Visual Culture ISBN 978-3-319-40927-6 ISBN 978-3-319-40928-3 DOI 10.1007/978-3-319-40928-3
(eBook)
Library of Congress Control Number: 2016954258 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for an
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