Space and Subjectivity in Contemporary Brazilian Cinema
This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality
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Screening Spaces Series editor Pamela Robertson Wojcik Department of Film, Television, and Theatre University of Notre Dame Chicago, IL, USA
Screening Spaces is a series dedicated to showcasing interdisciplinary books that explore the multiple and various intersections of space, place, and screen cultures. More information about this series at http://www.springer.com/series/14491
Antônio Márcio da Silva · Mariana Cunha Editors
Space and Subjectivity in Contemporary Brazilian Cinema
Editors Antônio Márcio da Silva University of Surrey Guildford, UK
Mariana Cunha Federal University of Rio Grande do Norte Natal, Rio Grande do Norte Brazil
Screening Spaces ISBN 978-3-319-48266-8 ISBN 978-3-319-48267-5 (eBook) DOI 10.1007/978-3-319-48267-5 Library of Congress Control Number: 2017936331 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover image © proud_natalia Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Contents
1 Introduction 1 Antônio Márcio da Silva and Mariana Cunha Part I Territorialization and Marginal Subjectivities 2 Tikmũ’ũn’s Caterpillar-Cinema: Off-Screen Space and Cosmopolitics in Amerindian Film 23 André Brasil 3
The Reterritorializations of Urban Space in Brazilian Cinema 41 Eduardo de Jesus
4
Mapping from the Margins: The Films of Beto Brant 59 Maurício Sellmann Oliveira
Part II Intensive Space, Landscape, and Spatial Experience 5
Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto 77 Mariana Cunha v
vi Contents
6 Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema 97 Antonio
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