Staging the Construction of Place in Two Antarctic Plays
Many maps relegate the icy continent of Antarctica to the margins of the planet, but there are several instances in theatre history where the place has taken centre stage. This chapter examines how Antarctica as an icescape has been interpreted in a theat
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Performing Ice Edited by Carolyn Philpott Elizabeth Leane · Matt Delbridge
Performing Landscapes Series Editors Deirdre Heddon Theatre Studies, School of Culture and Creative Arts University of Glasgow Glasgow, UK Sally Mackey The Royal Central School of Speech and Drama London, UK
Performing Landscapes offers a critical study of generic and complex sites for performance, including forests, ruins, rivers, home, fields, islands and mountains. Distinctive to this series is that such landscape figures will be located both on and off the theatrical stage, approached as both material and representational grounds for performance-led analyses. With its unique focus on particular and singular sites, Performing Landscapes will develop in novel ways the debates concerning performance’s multiple relations to environment, ecology and global concerns. Editorial Board Professor Stephen Bottoms (University of Manchester) Professor Una Chaudhuri (New York University) Dr. Wallace Heim (independent scholar) Professor Carl Lavery (University of Glasgow) Professor Theresa J May (University of Oregon) Dr. Paul Rae (University of Melbourne) Professor Joanne Tomkins (University of Queensland) More information about this series at http://www.palgrave.com/gp/series/14557
Carolyn Philpott • Elizabeth Leane Matt Delbridge Editors
Performing Ice
Editors Carolyn Philpott Conservatorium of Music and Institute for Marine and Antarctic Studies University of Tasmania Hobart, TAS, Australia
Elizabeth Leane School of Humanities University of Tasmania Hobart, TAS, Australia
Matt Delbridge School of Communications and Creative Arts Deakin University Melbourne, VIC, Australia
Performing Landscapes ISBN 978-3-030-47387-7 ISBN 978-3-030-47388-4 (eBook) https://doi.org/10.1007/978-3-030-47388-4 © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published
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