The Art Fair Boom and Its Contradictions
Today, art fairs are one of the most important distribution channels for art. Art dealers make almost half of their turnover there. The many newly established fairs are an indication of the fair hype glaringly apparent since the beginning of this century.
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The Sociology of Arts and Markets New Developments and Persistent Patterns Edited by Andrea Glauser · Patricia Holder Thomas Mazzurana · Olivier Moeschler Valérie Rolle · Franz Schultheis
Sociology of the Arts
Series Editors Katherine Appleford Kingston University London, UK Anna Goulding University of Newcastle Newcastle, UK Dave O’Brien University of Edinburgh Edinburgh, UK Mark Taylor University of Sheffield Sheffield, UK
This series brings together academic work which considers the production and consumption of the arts, the social value of the arts, and analyses and critiques the impact and role of cultural policy and arts management. By exploring the ways in which the arts are produced and consumed, the series offers further understandings of social inequalities, power relationships and opportunities for social resistance and agency. It highlights the important relationship between individual, social and political attitudes, and offers significant insights into the ways in which the arts are developing and changing. Moreover, in a globalised society, the nature of arts production, consumption and policy making is increasingly cosmopolitan, and arts are an important means for building social networks, challenging political regimes, and reaffirming and subverting social values across the globe. More information about this series at http://www.palgrave.com/gp/series/15469
Andrea Glauser Patricia Holder Thomas Mazzurana Olivier Moeschler • Valérie Rolle Franz Schultheis Editors
The Sociology of Arts and Markets New Developments and Persistent Patterns
Editors Andrea Glauser University of Music and Performing Arts Vienna, Austria
Patricia Holder University of St. Gallen St. Gallen, Switzerland
Thomas Mazzurana University of St. Gallen St. Gallen, Switzerland
Olivier Moeschler University of Lausanne Lausanne, Switzerland
Valérie Rolle University of Nantes Nantes, France
Franz Schultheis Zeppelin University Friedrichshafen, Germany
ISSN 2569-1414 ISSN 2569-1406 (electronic) Sociology of the Arts ISBN 978-3-030-39012-9 ISBN 978-3-030-39013-6 (eBook) https://doi.org/10.1007/978-3-030-39013-6 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the ed
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