The Art Museum Redefined Power, Opportunity, and Community Engagemen
This book presents a critical analysis of the power and opportunity created in the implementation of community engaged practices within art museums, by looking at the networks connecting art museums to community organizations, artists and residents.
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The Art Museum Redefined Power, Opportunity, and Community Engagement Johanna K. Taylor
Sociology of the Arts
Series Editors Katherine Appleford Kingston University London, UK Anna Goulding University of Newcastle Newcastle, UK Dave O’Brien University of Edinburgh Edinburgh, UK Mark Taylor University of Sheffield Sheffield, UK
This series brings together academic work which considers the production and consumption of the arts, the social value of the arts, and analyses and critiques the impact and role of cultural policy and arts management. By exploring the ways in which the arts are produced and consumed, the series offers further understandings of social inequalities, power relationships and opportunities for social resistance and agency. It highlights the important relationship between individual, social and political attitudes, and offers significant insights into the ways in which the arts are developing and changing. Moreover, in a globalised society, the nature of arts production, consumption and policy making is increasingly cosmopolitan, and arts are an important means for building social networks, challenging political regimes, and reaffirming and subverting social values across the globe. More information about this series at http://www.palgrave.com/gp/series/15469
Johanna K. Taylor
The Art Museum Redefined Power, Opportunity, and Community Engagement
Johanna K. Taylor Arizona State University Tempe, AZ, USA
ISSN 2569-1414 ISSN 2569-1406 (electronic) Sociology of the Arts ISBN 978-3-030-21020-5 ISBN 978-3-030-21021-2 (eBook) https://doi.org/10.1007/978-3-030-21021-2 © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover image © Anna Goulding, derived from Artem Vorobiev’s photograph of Union Square, New York This Palgrave Macmillan imprint is published by
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