The Global Sixties in Sound and Vision Media, Counterculture, Revolt
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other
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The Global Sixties in Sound and Vision Media, Counterculture, Revolt
Edited by
Timothy Scott Brown and Andrew Lison
THE GLOBAL SIXTIES IN SOUND AND VISION
Copyright © Timothy Scott Brown and Andrew Lison, 2014. Softcover reprint of the hardcover 1st edition 2014 978-1-137-37522-3
All rights reserved. First published in 2014 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-47726-5 DOI 10.1057/9781137375230
ISBN 978-1-137-37523-0 (eBook)
Library of Congress Cataloging-in-Publication Data The global sixties in sound and vision : media, counterculture, revolt / edited by Timothy Scott Brown and Andrew Lison. pages cm 1. Counterculture—History—20th century. 2. Art and society—History— 20th century. 3. Mass media—Social aspects—History—20th century. I. Brown, Timothy Scott, editor of compilation. II. Lison, Andrew, author, editor of compilation. HM647.G56 2013 306.400904—dc23 A catalogue record of the book is available from the British Library. Design by Newgen Knowledge Works (P) Ltd., Chennai, India. First edition: May 2014 10 9 8 7 6 5 4 3 2 1
2013029569
Contents
List of Illustrations The Global Sixties in Sound and Vision: Media Counterculture, Revolt Timothy Scott Brown and Andrew Lison
vii
Introduction
1
Chapter 1 A Red Noise: Pop and Politics in Post-1968 France Jonathyne Briggs
15
Chapter 2 Mapping Tropicália Christopher Dunn
29
Chapter 3 David Fresko
Magical Mystery Tours: Godard and Antonioni in America
43
Chapter 4
Turning Inwards: The Politics of Privacy in the New American Cinema
65
Joshua Guilford Chapter 5 Utopia and Dystopia in Science Fiction Films around 1968 Kathrin Fahlenbrach “Musical & Magical Counterpoint”: Language, Sound, and Image in Wallace Berman’s Aleph, 1956–1966 Chelsea Behle Fralick
83
Chapter 6
Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and Its Influence on Rock Music Wolfgang Kraushaar
101
Chapter 7
Chapter 8 Jeff Hayton
“The Revolution Is Over—and We Have Won!”: Alfred Hilsberg, West German Punk, and the Sixties
119
135
vi
M
Contents
Chapter 9
The Sun and Moon Have Come Together: The Fourth Way, the Counterculture, and Capitol Records
151
“A Weapon in Our Struggle for Liberation”: Black Arts, Black Power, and the 1969 Pan-African Cultural Festival
167
Kevin Fellezs Chapter 10 Samir Meghelli Chapter 11
The Revolution Will Not Be Televised, But It Will Be Recorded: Soul, Funk, and the Black Urban Ex
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