The Novel and Europe
This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders,
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EDITED BY ANDREW HAMMOND
PALGRAVE STUDIES IN MODERN EUROPEAN LITERATURE
Palgrave Studies in Modern European Literature Series Editors Shane Weller School of European Culture and Languages University of Kent Canterbury, UK Thomas Baldwin Centre for Modern European Literature University of Kent Canterbury, UK Ben Hutchinson Centre for Modern European Literature University of Kent Canterbury, UK
Linked to the Centre for Modern European Literature at the University of Kent, UK, this series offers a space for new research that challenges the limitations of national, linguistic and cultural borders within Europe and engages in the comparative study of literary traditions in the modern period.
More information about this series at http://www.springer.com/series/14610
Andrew Hammond Editor
The Novel and Europe Imagining the Continent in Post–1945 Fiction
Editor Andrew Hammond University of Brighton Brighton, UK
ISBN 978-1-137-52626-7 ISBN 978-1-137-52627-4 DOI 10.1057/978-1-137-52627-4
(eBook)
Library of Congress Control Number: 2016953742 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Cover image © hanohikirf / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Macmillan Publishers Ltd. London
ACKNOWLEDGEMENTS
Thanks go out to Ryan Jenkins, Paloma Yannakakis, Peter Cary, Paula Kennedy, Natasha Perova, Max Mendor, Rebecca Gould, Robert Elsie, Donald Rayfield, Peter Morgan, Hamid Ismailov, Lasha Bughadze, Elizabeth Wilson, Nigel Foxcroft, Semezdin Mehmedinović and Frauke Strey. I am particularly grateful to Susan Curtis-Kojaković at Istros Books and Seid Serdarević at Fraktura for their kindness and support. An extended version of Sarah de Mul’s essay
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