The Palgrave Handbook of Screen Production
This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. It covers all aspects of screen production—from conceptualizing ideas and developing them, to realizing and then distribu
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e Palgrave Handbook of Screen Production
Craig Batty • Marsha Berry Kath Dooley • Bettina Frankham Susan Kerrigan Editors
The Palgrave Handbook of Screen Production
Editors Craig Batty University of Technology Sydney Sydney, NSW, Australia
Marsha Berry RMIT University Melbourne, VIC, Australia
Kath Dooley Curtin University Bentley, WA, Australia
Bettina Frankham University of Technology Sydney Sydney, NSW, Australia
Susan Kerrigan University of Newcastle Callaghan, NSW, Australia
ISBN 978-3-030-21743-3 ISBN 978-3-030-21744-0 (eBook) https://doi.org/10.1007/978-3-030-21744-0 © The Editor(s) (if applicable) and The Author(s) 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Richard Newstead This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Contents
Part I Conceptualising the Screen Work: Ideas, Intentions, Contexts 1 Creative Filmmaking Processes, Procedures and Practices: Embodied and Internalized Filmmaking Agency 3 Susan Kerrigan and Phillip McIntyre Commission, Position and Production: Intent and Intervention in Minority Language Programmes 19 Diane Maclean Having Something to Say and Saying It Well 33 Stephen Sewell and Ben Crisp Understanding the Underlying Principles of the Short Film 49 Michael Sergi and Craig Batty Two Screenplays, One Writer, National Voice 61 Rose Ferrell Off-screen: Reimagining Animation 75 Rose Woodcock, Lienors Torre, and Eiichi Tosaki The Dr Egg Adventures: Incorporating User-Generated Content and User-Testing Strategies in Pre-production Conceptualisation and Development of a Multi-Platform Storyworld 87 Catherine Fargher v
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Contents
Taking Place, Screening Place: Studying Locations in Television Drama Production103 Ki
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