The Rise of Victorian Caricature
This book serves as a retrieval and reevaluation of a rich haul of comic caricatures from the turbulent years between the Reform Bill crisis of the early 1830s and the rise and fall of Chartism in the 1840s. With a telling selection of illustrations, this
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Ian Haywood
Palgrave Studies in Nineteenth-Century Writing and Culture
Series Editor Joseph Bristow Department of English University of California, Los Angeles Los Angeles, CA, USA
Palgrave Studies in Nineteenth-Century Writing and Culture is a monograph series that aims to represent the most innovative research on literary works that were produced in the English-speaking world from the time of the Napoleonic Wars to the fin de siécle. Attentive to the historical continuities between ‘Romantic’ and ‘Victorian’, the series will feature studies that help scholarship to reassess the meaning of these terms during a century marked by diverse cultural, literary, and political movements. The main aim of the series is to look at the increasing influence of types of historicism on our understanding of literary forms and genres. It reflects the shift from critical theory to cultural history that has affected not only the period 1800-1900 but also every field within the discipline of English literature. All titles in the series seek to offer fresh critical perspectives and challenging readings of both canonical and non-canonical writings of this era.
More information about this series at http://www.palgrave.com/gp/series/14607
Ian Haywood
The Rise of Victorian Caricature
Ian Haywood University of Roehampton London, UK
Palgrave Studies in Nineteenth-Century Writing and Culture ISBN 978-3-030-34658-4 ISBN 978-3-030-34659-1 (eBook) https://doi.org/10.1007/978-3-030-34659-1 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Charles Jameson Grant, The Manager’s Last Kick, woodcut on silk, c.1830. Courtesy of The Lewis Walpole Library, Yale University This Palgrave Macmillan imprint is published by the registere
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