Theatre, Globalization and the Cold War
This book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres,
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THEATRE, GLOBALIZATION AND THE COLD WAR EDITED BY
CHRISTOPHER B. BALME BERENIKA SZYMANSKI-DÜLL
Transnational Theatre Histories Series Editors Christopher B. Balme Institut für Theaterwissenschaft Ludwig-Maximilians-Universität Munich, Germany Tracy C. Davis Northwestern University, USA Catherine M. Cole College of Arts and Sciences University of Washington, Seattle, USA
Transnational Theatre Histories illuminates vectors of cultural exchange, migration, appropriation, and circulation that long predate the more recent trends of neoliberal globalization. Books in the series document and theorize the emergence of theatre, opera, dance, and performance against backgrounds such as imperial expansion, technological development, modernity, industrialization, colonization, diplomacy, and cultural self-determination. Proposals are invited on topics such as: • theatrical trade routes • public spheres through cross-cultural contact • the role of multi-ethnic metropolitan centers and port cities • modernization and modernity experienced in transnational contexts • new materialism: objects moving across borders and regions • migration and recombination of aesthetics and forms • colonization and decolonization as transnational projects • performance histories of cross- or inter-cultural contact • festivals, exchanges, partnerships, collaborations, and co-productions • diplomacy, state and extra-governmental involvement, support, or subversion • historical perspectives on capital, finance, and administration • processes of linguistic and institutional translation • translocality, glocality, transregional and omnilocal vectors • developing new forms of collaborative authorship More information about this series at http://www.springer.com/series/14397
Christopher B. Balme • Berenika Szymanski-Düll Editors
Theatre, Globalization and the Cold War
Editors Christopher B. Balme Ludwig-Maximilians-Universität Munich, Germany
Berenika Szymanski-Düll Ludwig-Maximilians-Universität Munich, Germany
Transnational Theatre Histories ISBN 978-3-319-48083-1 ISBN 978-3-319-48084-8 (eBook) DOI 10.1007/978-3-319-48084-8 Library of Congress Control Number: 2017933309 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assum
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