Victorian Poetry and Modern Life The Unpoetical Age
Faced with the chaos and banality of modern, everyday life, a number of Victorian poets sought innovative ways of writing about the unpoetic present in their verse. Their varied efforts are recognisably akin, not least in their development of mixed verse-
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RIAN NOVEL, SERVICE WORK AND THE NINETEENTH-CENTURY ECONOMY Yvonne Ivory THE HOMOSEXUAL REVIVAL OF RENAISSANCE STYLE, 1850–1930 Stephan Karschay DEGENERATION, NORMATIVITY AND THE GOTHIC AT THE FIN DE SIÈCLE Colin Jones, Josephine McDonagh and Jon Mee (editors) CHARLES DICKENS, A TALE OF TWO CITIES AND THE FRENCH REVOLUTION Jock Macleod LITERATURE, JOURNALISM, AND THE VOCABULARIES OF LIBERALISM Politics and Letters 1886–1916 Kirsten MacLeod FICTIONS OF BRITISH DECADENCE High Art, Popular Writing and the Fin de Siècle Charlotte Mathieson MOBILITY IN THE VICTORIAN NOVEL Placing the Nation Kristine Moruzi and Michelle J. Smith (editors) COLONIAL GIRLHOOD IN LITERATURE, CULTURE AND HISTORY, 1840–1950 Sean O’Toole HABIT IN THE ENGLISH NOVEL, 1850–1900 Lived Environments, Practices of the Self Tina O’Toole THE IRISH NEW WOMAN Richard Pearson VICTORIAN WRITERS AND THE STAGE The Plays of Dickens, Browning, Collins and Tennyson Laura Rotunno POSTAL PLOTS IN BRITISH FICTION, 1840–1898 Readdressing Correspondence in Victorian Culture Laurence Talairach-Vielmas FAIRY TALES, NATURAL HISTORY AND VICTORIAN CULTURE Marianne Van Remoortel WOMEN, WORK AND THE VICTORIAN PERIODICAL Living by the Press
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Victorian Poetry and Modern Life The Unpoetical Age Natasha Moore Research Fellow, Centre for Public Christianity, Australia
© Natasha Moore 2015 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® an
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