21st Century Perspectives on Music, Technology, and Culture Listenin
This collection examines the multiple ways people listen to, consume, and produce music and sound in an increasingly digital world. Technologies such as social networks, recommendation algorithms, virtual cloud storage, and portable listening devices incr
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Edited by Richard Purcell and Richard Randall Pop Music, Culture and Identity
Pop Music, Culture and Identity Series Editors: Steve Clark, University of Tokyo, Japan, Tristanne Connolly, St Jerome’s, University of Waterloo, Canada and Jason Whittaker, Falmouth University, UK Advisory Board: Chris Best, University College Falmouth, UK, Audrey Faine, Vice President of Marketing, CBS Records, Gavin Hayes, Musician, USA, John Hutnyk, Goldsmiths, University of London, UK, Allan F. Moore, University of Surrey, UK, Ryan Moore, Florida Atlantic University. USA, Jennifer Otter, University of East London, UK, John Phillips, National University of Singapore, Singapore, Cristina Ruotolo, San Francisco, USA, Karl Simms, University of Liverpool, UK, Will Straw, McGill University, Canada and Steve Waksman, Smith College, USA Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proven itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by factors such as nation, class, gender, ethnicity, location/situation, and historical period. Pop Music, Culture and Identity investigates the implications of this greatly enhanced status. Particular attention will be paid to issues such as the iconography of celebrity, the ever-expanding archive, the nature of the performance-event, the parameters of generational memory, and the impact of new technologies on global marketing. In particular, the series aims to highlight interdisciplinary approaches and incorporate the informed testimony of the fan alongside a challenging diversity of academic methodologies. Titles include: M. King Adkins NEW WAVE Image is Everything Jennifer Otter Bickerdike FANDOM, IMAGE AND AUTHENTICITY Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis Ewa Mazierska and Georgina Gregory RELOCATING POPULAR MUSIC Rosemary Overall AFFECTIVE INTENSITIES IN EXTREME MUSIC SCENCES Cases from Australia and Japan Trajce Cvetkovski THE POP MUSIC IDOL AND THE SPIRIT OF CHARISMA Reality Television Talent Shows in the Digital Economy of Hope Tuulikki Pietilä CONTRACTS, PATRONAGE AND MEDIATION The Articulation of Global and Local in the South African Recording Industry
Raphaël Nowak CONSUMING MUSIC IN THE DIGITAL AGE Technologies, Roles and Everyday Life Michael Urban NEW ORLEANS RHYTHM AND BLUES AFTER KATRINA Music, Magic and Myth Richard Purcell and Richard Randall (editors) 21st CENTURY PERSPECTIVES ON MUSIC, TECHNOLOGY AND CULTURE Listening Spaces
Pop Music, Culture and Identity Series Standing Order ISBN 978–1–137–03381–9 (hardback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Ha
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