Art Theory for a Global Pluralistic Age The Glocal Artist
This book extends a theory of art that addresses the present era’s shift towards global pluralism. By focusing on extrinsic rather than intrinsic qualities of art, this book helps viewers evaluate art across cultural boundaries. Art can be universally cla
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Art Theory for a Global Pluralistic Age
Steven Félix-Jäger
Art Theory for a Global Pluralistic Age The Glocal Artist
Steven Félix-Jäger Assistant Professor and Chair of the Worship Arts and Media program Life Pacific University San Dimas, CA, USA
ISBN 978-3-030-29705-3 ISBN 978-3-030-29706-0 (eBook) https://doi.org/10.1007/978-3-030-29706-0 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Odyssey, installation by Ai Weiwei. Courtesy of: MARKA / Alamy Stock Photo. This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgments
I have been thinking about the contents of this book for over a decade. As I’ve studied visual art in both undergrad and grad programs as an aspiring artist, and through the lens of philosophy and theology during my PhD program, I’ve been made acutely aware of the growing distance between art and understanding, especially as the world continues to globalize. Consequently, I’ve long had the desire to organize my observations into a full-blown theory of art. So, I’d first like to thank all the folks at Palgrave Macmillan for affording me the opportunity to systematize and publish my thoughts. I’d especially like to thank my editor Amy Invernizzi, who first listened to my book idea and then guided me all the way through the publication process. I’d like to thank my former professor and dear friend Brent Everett Dickinson for reading through the entire manuscript and meeting with me for several hours on multiple occasions to discuss the book’s content. His encouragements and challenges have made the book much stronger than it would have been. Oh,
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