Basic Elements of Psychodrama
Moreno developed psychodrama from his theatrical experiments, and the proximity of psychodrama to the theater is evident. In view of this fact, it is not surprising that the stage is one of the most important basic elements of the process. The stage in Mo
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Fundamentals of Psychodrama
Fundamentals of Psychodrama
Falko von Ameln Jochen Becker-Ebel •
Fundamentals of Psychodrama
123
Falko von Ameln Norden, Niedersachsen, Germany
Jochen Becker-Ebel Vedadrama India Pvt. Ltd. Chennai, Tamil Nadu, India
ISBN 978-981-15-4426-2 ISBN 978-981-15-4427-9 https://doi.org/10.1007/978-981-15-4427-9
(eBook)
Translation from the German language edition: Psychodrama: Grundlagen by Falko von Ameln and Josef Kramer, © Springer Verlag Deutschland 2018. All Rights Reserved. © Springer Nature Singapore Pte Ltd. 2020 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Springer imprint is published by the registered company Springer Nature Singapore Pte Ltd. The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore
Foreword
Some of my earliest memories are of my first visit to Germany in the summer of 1957. I was five years old, traveling with my parents who were conducting psychodrama demonstrations in several cities over a two-month period. Two years later, we visited East Germany, taking to the road in a very cramped Volkswagen. My father, who was by then of some circumference, must have suffered greatly. He had become accustomed to oversize American cars. But to me it was all a marvelous adventure. At that age, I was mainly impressed with comic books in German, Pez dispensers, the wonderful trains and—encountered first in Vienna naturally—kaiserschmarrn. This was of course still a Germany still recovering from the war. But if there were privations, they did not come to my notice—with one exception: the piles of rubble that still stood in Leipzig. Mainly I remember the gemutlichkeit and feeling for years afterward that Germany was my second home. On the many occasions I have visited Germany since then, these feelings have always returned to me. Unfortunately, the German language I
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