Brain-Grounded Theory of Temporal and Spatial Design In Architectur
In this book, brain-grounded theory of temporal and spatial design in architecture and the environment is discussed. The author believes that it is a key to solving such global problems as environmental disorders and severe climate change as well as confl
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Brain-Grounded Theory of Temporal and Spatial Design In Architecture and the Environment
Brain-Grounded Theory of Temporal and Spatial Design
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Yoichi Ando
Brain-Grounded Theory of Temporal and Spatial Design In Architecture and the Environment
Yoichi Ando Kobe University Kobe, Japan
ISBN 978-4-431-55889-7 ISBN 978-4-431-55891-0 DOI 10.1007/978-4-431-55891-0
(eBook)
Library of Congress Control Number: 2015961026 Springer Tokyo Heidelberg New York Dordrecht London © Springer Japan 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper Springer Japan KK is part of Springer Science+Business Media (www.springer.com)
When different individual personalities blossom, the wonderful results they produce continue to contribute to the quality of human life in unfathomable ways for a long time even after the end of the individual life. Each individual is born with such special potential and talent for a unique third stage of life. The drawing (1986) was rendered by Massimo Cocchi, a man who loved music and enjoyed words at a certain level of loudness, and who realized clarity of the sound field without the use of ceiling reflections or multiple sidewall reflections.
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Foreword
In my opinion, even if he was already involved in many research fields, all converging towards the best knowledge of the nervous system as a means of communication between man and nature, when in 1995 Prof. Ando invited many researchers in the field from all over the world to visit his new realization, the theatre in Kirishima, he already had in mind the future development of his scientific interest in a more complete approach of architecture to the environment. The opportunity for realizing this meeting was the organization of a new international conference, called at that time Music and Concert Hall Acoustics. As a matter of fact, to that conference were invited not only acousticians but also an architect from the United States who spoke of light a
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