Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs
This book examines paintings using a computational and quantitative approach. Specifically, it compares paintings to photographs, addressing the strengths and limitations of both. Particular aesthetic practices are examined such as the vista, foreground t
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tational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs Beyond Red, Green and Blue
Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs
Xiaoyan Zhang Martin Constable Kap Luk Chan Jinze Yu Wang Junyan •
•
Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs Beyond Red, Green and Blue
123
Xiaoyan Zhang College of Computer Science and Software Engineering Shenzhen University Shenzhen China Martin Constable Royal Melbourne Institute of Technology Ho Chi Minh Vietnam
Jinze Yu Institute of Industrial Science The University of Tokyo Tokyo Japan Wang Junyan University of Southern California Los Angeles, CA USA
Kap Luk Chan Tolendata Singapore R&D Centre Pvt. Ltd. Singapore Singapore
ISBN 978-981-10-3559-3 DOI 10.1007/978-981-10-3561-6
ISBN 978-981-10-3561-6
(eBook)
Library of Congress Control Number: 2017944299 © Springer Nature Singapore Pte Ltd. 2018 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Printed on acid-free paper This Springer imprint is published by Springer Nature The registered company is Springer Nature Singapore Pte Ltd. The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore
Colour is uncontainable. It effortlessly reveals the limits of language and evades our best attempts to impose a rational order on it… To work with colour is to become acutely aware of the insufficiency of language and theory - which is both disturbing and pleasurable. David Batchelor, ‘Chromophobia’, 1997
Preface
Paintings are assumed to be a special class of image for the quality of their aesthetic appeal. In a painting, little is left to chance, with colour, form, composition and suchlike all being given careful consideration by the painter, who is a highly trained individual. In this way, a painting offers an a
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