Critical Race Theory and Copyright in American Dance Whiteness as St

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the

  • PDF / 2,270,341 Bytes
  • 258 Pages / 595 x 842 pts (A4) Page_size
  • 97 Downloads / 175 Views

DOWNLOAD

REPORT


Please respect intellectual property rights This material is copyright and its use is restricted by our standard site license terms and conditions (see palgraveconnect.com/pc/connect/info/terms_conditions.html). If you plan to copy, distribute or share in any format, including, for the avoidance of doubt, posting on websites, you need the express prior permission of Palgrave Macmillan. To request permission please contact [email protected].

Copyright material from www.palgraveconnect.com - licensed to University of Sydney - PalgraveConnect - 2014-02-01

Critical Race Theory and Copyright in American Dance

10.1057/9781137321978 - Critical Race Theory and Copyright in American Dance, Caroline Joan S. Picart

PREVIOUS PUBLICATIONS Speaking of Monsters: A Teratological Anthology Edited by Caroline Joan S. Picart and John Edgar Browning

From Ballroom to DanceSport: Aesthetics, Athletics, and Body Culture Caroline Joan S. Picart

10.1057/9781137321978 - Critical Race Theory and Copyright in American Dance, Caroline Joan S. Picart

Copyright material from www.palgraveconnect.com - licensed to University of Sydney - PalgraveConnect - 2014-02-01

Frames of Evil: Holocaust as Horror in American Film Caroline Joan S. Picart and David Frank

Whiteness as Status Property

CAROLINE JOAN S. PICART

10.1057/9781137321978 - Critical Race Theory and Copyright in American Dance, Caroline Joan S. Picart

Copyright material from www.palgraveconnect.com - licensed to University of Sydney - PalgraveConnect - 2014-02-01

Critical Race Theory and Copyright in American Dance

CRITICAL RACE THEORY AND COPYRIGHT IN AMERICAN DANCE

Copyright © Caroline Joan S. Picart, 2013. All rights reserved.

Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978–1–137–32196–1 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. A catalogue record of the book is available from the British Library. Design by Newgen Knowledge Works (P) Ltd., Chennai, India. First edition: November 2013 10 9 8 7 6 5 4 3 2 1

10.1057/9781137321978 - Critical Race Theory and Copyright in American Dance, Caroline Joan S. Picart

Copyright material from www.palgraveconnect.com - licensed to University of Sydney - PalgraveConnect - 2014-02-01

First published in 2013 by PALGRAVE MACMILLAN® in the United States— a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010.

10.1057/9781137321978 - Critical Race Theory and Copyright in American Dance, Caroline Joan S. Picart

Copyright material from www.palgraveconnect.com - licensed to University of Sydney - PalgraveConnect