Documentary Films in India Critical Aesthetics at Work
This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critic
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Documentary Films in India Critical Aesthetics at Work Aparna Sharma Department of World Arts and Cultures/Dance, University of California, Los Angeles, USA
© Aparna Sharma 2015 Softcover reprint of the hardcover 1st edition 2015 978-1-137-39543-6 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries.
ISBN 978-1-349-48415-7 ISBN 978-1-137-39544-3 (eBook) DOI 10.1057/9781137395443 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. Typeset by MPS Limited, Chennai, India.
dedicated to students, practitioners and all who believe that the documentary impulse exceeds the bounds of nations
Contents List of Figures
viii
Preface
x
Acknowledgements
xii
Introduction
1
Part I
27
1 Constructing the Self, Constructing Others: David MacDougall’s Observational Films on Institutions for Children in India
29
2 New Boys at the Doon School
56
3 Gandhi’s Children
78
Part II
105
4 An Arrested Eye: Trauma and Becoming in Desire Machine Collective’s Documentary Installations
107
5 Passage
134
6 Residue
150
Part III
175
7 A Turn Towards the Classical: the Documentaries of Kumar Shahani
177
8 The Bamboo Flute
212
Epilogue
237
Notes
243
Bibliography
256
Index
264
vii
List of Figures 1.1
Morning Assembly at the Doon School
37
1.2
The physically dominated aesthetic of the Doon School
48
2.1
A class of new boys at the Doon School
58
2.2
Abhishek Shukla estimates what the camera is recording
67
2.3
Abhishek Shukla admitted
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