Echoes of Opera in Modern Italian Poetry Eros, Tragedy, and National
Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera: Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English
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Echoes of Opera in Modern Italian Poetry Eros, Tragedy, and National Identity Mattia Acetoso
Italian and Italian American Studies Series Editor Stanislao G. Pugliese Hofstra University Hempstead, NY, USA
This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of specialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fields of Italian and Italian American Studies by re-emphasizing their connection to one another. Editorial Board Rebecca West, University of Chicago Josephine Gattuso Hendin, New York University Fred Gardaphé, Queens College, CUNY Phillip V. Cannistraro†, Queens College and the Graduate School, CUNY Alessandro Portelli, Università di Roma “La Sapienza” William J. Connell, Seton Hall University More information about this series at http://www.palgrave.com/gp/series/14835
Mattia Acetoso
Echoes of Opera in Modern Italian Poetry Eros, Tragedy, and National Identity
Mattia Acetoso Boston College Boston, MA, USA
Italian and Italian American Studies ISBN 978-3-030-46090-7 ISBN 978-3-030-46091-4 (eBook) https://doi.org/10.1007/978-3-030-46091-4 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
In loving memory of Raffaella, Claudia, Licia, and all my “care ombre.”
Acknowledgments
This book brings to completion a research project that began with my d
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