Electronic Visualisation in Arts and Culture
Presenting the latest technological developments in arts and culture, this volume demonstrates the advantages of a union between art and science. Electronic Visualisation in Arts and Culture is presented in five parts:Imaging and CultureNew Art PracticeSe
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Jonathan P. Bowen Suzanne Keene Kia Ng Editors
Electronic Visualisation in Arts and Culture
Electronic Visualisation in Arts and Culture
Springer Series on Cultural Computing Editor-in-chief Ernest Edmonds
University of Technology Sydney, Australia
Editorial board Frieder Nake Nick Bryan-Kinns Linda Candy David England Andrew Hugill Shigeki Amitani Doug Riecken
University of Bremen, Germany Queen Mary, University of London, UK University of Technology Sydney, Australia Liverpool John Moores University, UK De Montfort University, UK Adobe Systems Inc. Tokyo, Japan Columbia University, NY, USA
For further volumes: http://www.springer.com/series/10481
Jonathan P. Bowen • Suzanne Keene • Kia Ng Editors
Electronic Visualisation in Arts and Culture
Editors Jonathan P. Bowen Department of Informatics London South Bank University London, UK
Suzanne Keene Department of Archaeology University College London London, UK
Kia Ng Interdisciplinary Centre for Scientific Research in Music (ICSRiM) School of Computing & School of Music University of Leeds Leeds, UK Corresponding e-mail for all editors: [email protected]
ISSN 2195-9056 ISSN 2195-9064 (electronic) ISBN 978-1-4471-5405-1 ISBN 978-1-4471-5406-8 (eBook) DOI 10.1007/978-1-4471-5406-8 Springer London Heidelberg New York Dordrecht Library of Congress Control Number: 2013947737 © Springer-Verlag London 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. While the advice and information in this book are believed to be true and accurate at the date of publication, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omissions that may be made. The publisher makes no warranty, express
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