Eye of the Storm
The Romantics thought of great art as a species of heroism, a breaking through or going beyond. Following them, adepts of the modern demanded of masterpieces that they be, in each case, an extreme case—terminal or prophetic, or both.
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		    Hans-Jürgen Syberberg, the Film Director as Critical Thinker Essays and Interviews
 
 Edited by R. J. Cardullo
 
 A C.I.P. record for this book is available from the Library of Congress.
 
 ISBN: 978-94-6300-828-0 (paperback) ISBN: 978-94-6300-829-7 (hardback) ISBN: 978-94-6300-830-3 (e-book)
 
 Published by: Sense Publishers, P.O. Box 21858, 3001 AW Rotterdam, The Netherlands https://www.sensepublishers.com/
 
 All chapters in this book have undergone peer review.
 
 Printed on acid-free paper
 
 All Rights Reserved © 2017 Sense Publishers No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the Publisher, with the exception of any material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work.
 
 TABLE OF CONTENTS
 
 Forewordvii Timothy Corrigan Prefacexi Acknowledgementsxiii List of Figures
 
 xv
 
 1. Introduction: Hans-Jürgen Syberberg: Of Fantastic and Magical Worlds; A Career Review Russell Berman
 
 1
 
 2. Politics, Aesthetics, and Patriarchy in The Confessions of Winifred Wagner25 Marcia Landy 3. Hans-Jürgen Syberberg: Our Hitler as Visual Politics Beatriz Schiller
 
 41
 
 4. Eye of the Storm: Syberberg’s Hitler47 Susan Sontag 5. Interview with Hans-Jürgen Syberberg Steve Wasserman
 
 63
 
 6. Hans-Jürgen Syberberg’s Hitler: An Interview Roswitha Mueller
 
 75
 
 7. ‘In the Destructive Element Immerse’: Hans-Jürgen Syberberg and Cultural Revolution Frederic Jameson 8. Hans-Jürgen Syberberg: An Interview Betsy Erkkila 9. Syberberg’s Our Hitler, Wagnerianism, and Alienation: A Re-viewing Hans R. Vaget
 
 81 99 113
 
 10. Myths for Sale—Reviews of Ludwig: Requiem for a Virgin King and Karl May131 Stanley Kauffmann
 
 v
 
 TABLE OF CONTENTS
 
 11. Sustaining Romanticism in a Postmodernist Cinema: An Interview with Hans-Jürgen Syberberg Christopher Sharrett
 
 139
 
 12. ‘They Want to Kill Me’: An Interview with the Filmmaker and Theater Director Hans-Jürgen Syberberg Die Zeit (Time)
 
 147
 
 13. There’s No Place like Heimat: Nazism and the Work of Film Director Hans-Jürgen Syberberg Ian Buruma
 
 165
 
 14. Germany’s Heart: The Modern Taboo; Interview with German Filmmaker Hans-Jürgen Syberberg Marilyn Berlin Snell
 
 175
 
 15. Hans-Jürgen Syberberg and the State of the Ghost Robert Shandley
 
 185
 
 16. ‘Adolphe Appia and Me’: A Discussion with Hans-Jürgen Syberberg R. J. Cardullo
 
 193
 
 17. The Theater-of-Film of Hans-Jürgen Syberberg: Parsifal and Die Nacht205 R. J. Cardullo Postscript: Hans-Jürgen Syberberg: Leni Riefenstahl’s Heir? Jonathan Bowden
 
 217
 
 Filmography (with Credits for All Features, Documentaries, and Shorts)
 
 233
 
 Bibliography245 Index249
 
 vi
 
 FOREWORD
 
 Over the course his career, Hans-Jürgen Syberberg was consistently one of the most prolific and persuasive thinkers about modern German identity. In addition to his many films, the most important of which concern the problem of		
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